The Summer of Skills



FatMouth Improv is taking the summer off! From performing, that is. We are, however, going to continue skill building and developing new and different improv forms that we plan to entertain you with throughout the winter. The best way to keep warm is to laugh! We'll keep the site updated with our upcoming show schedule once we figure it out.


Come early, come often: See http://www.cgtheatre.com or call (919) 698-3870 for directions
If you have not seen Comedy Improv, we are good place to start. If you have not seen Dramatic Improv, we are a good place to start. If you have not seen any kind of Improv, we are probably the best place to start because if that is the case, you will have nothing to compare us to which works quite well in our favor.
We do a combination of short and long form improvisation pieces. Some are just downright silly, and others are more like theatrical scenes. It can be entertaining, intriguing or just plain fun. It's the best way to spend eight bucks! Common Ground Theater



Meet the FatMouth Improv Players or learn more about long form improv and short form improv. We are always creating and trying new forms to keep it fresh for our loyal fans. We also alternate directorship of the group for each show which keeps even us guessing what's going to happen next.

FatMouth Improv has been performing for over four years in front of discerning audiences. We carefully screen each and every audience member to guarantee their discernment level, or we just take their money and look the other way. Our tag line "Silliness with a Purpose" is indicative of our attempt to emphasize that while being playful is a very high value for us, we strive to create more complex characters and locations. To give you a sense of the Who, What and Where. We want to surprise and delight ourselves, as well as you.

Cholena Erickson, Business Director, Artistic Director

Cholena Erikson

Cholena attributes her oddball sense of humor to her parents. She remembers her dad singing silly made up songs at the breakfast table and her mother concocting fantastic improvised stories. She has studied improvisation with Ruth Zaporah, the Viola Spolin Method and started an all female improv group, "Girls Like Us" in Oregon. Cholena brings silliness and a sense of play daily to her acupuncture practice in Carrboro, believing that laughter is a wonderful healing force.


Mary Capucilli

Mary Capucilli

Became an accidental tourist into the world of improv after a lifetime of sillinesses with her 6 siblings. Mary joined FatMouth because it was like being in kindergarten with grown ups, and always its play time. After 20 years in the music industry, Mary now spends her days at work getting paid to color and draw as a web developer and graphic artist, continuing on with the tradition of living the lessons learned in kindergarten.


Abby Karp

Abby Karp

Improvisation has always been part of Abby's life -- so you can imagine how relieved she was to discover that it is a legitimat theatrical art form, not just a character flaw or reason for embarrassment at childhood piano lessons. ("Dear, did you practice even once since last week?") Before joining Fatmouth, Abby performed with the Idiot Box in Greensboro, and she has participated in workshops on psychodrama, Playback Theatre and Spolin theater games. She considers improv a valuable tool for personal growth as well as a surefire way to get lots of attention.


Deborah Klinger

Deborah Klinger

Deborah's improv career began when she graduated from UCLA with a degree in Theater Arts and had no idea what to do next. Her subsequent rich and varied experiences as a waitress taught her to think and talk on her feet. She studied improv in Los Angeles with Wendy Cutler of "Off the Wall" (Robin Williams' troupe), Bill Steinkellner (who went on to become an Emmy award-winning writer/producer), Paul Sills, and the Groundlings School, and here in NC with Greg Hohn of Transactors. She's a former member of the former inDecision Theatre. By day Deborah is a mild-mannered psychotherapist, yoga teacher, yoga therapy practitioner and mom. Her husband, the lovely and talented musician Glenn Mehrbach, would be really hurt if she didn't give him a shout-out (luv ya, Honey!).


June Merlino

June Merlino

They say that what you are really called to do in life, starts at age 5. Juney jumped right in, during her kindergarten years, organized a group dance performance with her girlfriends, and put on a show for the parents. Her basement in Philly served as an ongoing stage for various acts. Much later she studied improvtheater and joined FatMouth. June is also an accomplished visual artist in pinhole photography, installation, video and found object assemblages. Her other life is in management consulting.


Ann Roy

Ann Roy

Ann Roy leapt into improv just ahead of the villagers with torches. While she's not really that fast on her feet, her brain is going a million miles an hour. It's just a shame it has jumped the tracks. Over the course of the wild ride, she has performed with The Product as well as other improv and comedy groups around the Triangle. Improv is her life.


Diane Wright

Diane Wright

Has been performing since she was three when she began dramatic recitations of poetry and acting out the stories in the songs her sister sang. She's studied the Spolin improv method and taken other improv classes from Anoushka Brod and Greg Hohn. She enjoys performing with her FatMouth colleagues as they are skilled and relaxed enough to play. "Why do it if you can't have fun?" she says.


About Long Form Improvisation

Improv is short for improvisation. As "improvisation" implies we do not use any scripted materials. Everything is created before you, the audience member, on the spot. Long form is a style of improvisation that takes a suggestion from the audience and weaves it into a stream of consciouness performance. Truth is, there are many different formats for long form. Some formats are like mini-plays. Other formats are like a series of consecutive short scenes or games. We start our performances with short "warm ups" (but without Spandex, thank you very much) and then launch into the longer pieces.

About Short Form Improvisation

Short form, like long form, does not rely on scripted material. It is all made up in the moment. Short form improv tends to be performance worthy games, short artistic forms, or scenes, like a short piece from a play. Short form games tend to be high energy, as in 60 beans per cup of java.

Upcoming Performances

None at the moment but check back here in the fall!
Performance Dates